Tell No One (2001) Page 10

  "You think he's trying to cover his tracks?"

  "You have a better explanation?"

  Hoyt sat back and tried to let all of this settle. "You left something out."

  "What?"

  He pointed to the photographs on the table. "Who gave you those?"

  "In a way," Carlson said, "I think your daughter did."

  Hoyt's face looked drained.

  "More specifically, her alias did. One Sarah Goodhart. Your daughter's middle name and the name of this street."

  "I don't understand."

  "At the crime scene," Carlson said. "One of the two thugs ' Melvin Bartola ' had a small key in his shoe." Carlson held up the key. Hoyt took it from his hand, peering at it as though it held some mystical answer. "See the UCB on the flip side?"

  Hoyt nodded.

  "That stands for United Central Bank. We finally traced this key down to their branch at 1772 Broadway in the city. The key opens Box 174, which is registered to one Sarah Goodhart. We got a search warrant for it."

  Hoyt looked up. "The photographs were in there?"

  Carlson and Stone glanced at each other. They had already made the decision not to tell Hoyt everything about that box ' not until all the tests came back and they knew for sure ' but both men nodded now.

  "Think about it, Hoyt. Your daughter kept these pictures hidden in a safety-deposit box. The reasons are obvious. Want more? We questioned Dr. Beck. He admitted knowing nothing about the pictures. He'd never seen them before. Why would your daughter hide them from him?"

  "You talked to Beck?"

  "Yes."

  "What else did he say?"

  "Not much because he demanded a lawyer." Carlson waited a beat. Then he leaned forward. "He not only lawyered up, he called Hester Crimstein. That sound like the act of an innocent man to you?"

  Hoyt actually gripped the sides of the chair, trying to steady himself. "You can't prove any of this."

  "Not yet, no. But we know. That's half the battle sometimes."

  "So what are you going to do?"

  "Only one thing we can do." Carlson smiled at him. "Apply pressure until something breaks."

  Larry Gandle looked over the day's developments and mumbled to himself, "Not good."

  One, the FBI picks up Beck and questions him.

  Two, Beck calls a photographer named Rebecca Schayes. He asks her about an old car accident involving his wife. Then he visits her studio.

  A photographer no less.

  Three, Beck calls Briggs Penitentiary and says he wants to meet Elroy Kellerton.

  Fourth, Beck calls Peter Flannery's office.

  All of this was puzzling. None of it was good.

  Eric Wu hung up the phone and said, "You're not going to like this."

  "What?"

  "Our source with the FBI says that they suspect Beck killed his wife."

  Gandle nearly fell over. "Explain."

  "That's all the source knows. Somehow, they've tied the two dead bodies by the lake to Beck."

  Very puzzling.

  "Let me see those emails again," Gandle said.

  Eric Wu handed them to him. When Gandle thought about who could have sent them, the creeping feeling in the pit of his stomach started to claw and grow. He tried to add the pieces together. He'd always wondered how Beck had survived that night. Now he wondered something else.

  Had anyone else survived it?

  "What time is it?" Gandle asked.

  "Six-thirty."

  "Beck still hasn't looked up that Bat-whatever address?"

  "Bat Street. And no, he hasn't."

  "Anything more on Rebecca Schayes?"

  "Just what we already know. Close friend of Elizabeth Parker's. They shared an apartment before Parker married Beck. I checked old phone records. Beck hasn't called her in years."

  "So why would he contact her now?"

  Wu shrugged. "Ms. Schayes must know something."

  Griffin Scope had been very clear. Learn what you can, then bury it.

  And use Wu.

  "We need to have a chat with her," Gandle said.

  Chapter 16

  Shauna met me on the ground floor of a high-rise at 462 Park Avenue in Manhattan.

  "Come on," she said without preamble. "I have something to show you upstairs."

  I checked my watch. A little under two hours until the Bat Street message came in. We entered an elevator. Shauna hit the button for the twenty-third floor. The lights climbed and the blind-person-counter beeped.

  "Hester got me thinking," Shauna said.

  "What about?"

  "She said the feds would be desperate. That they'd do anything to get you."

  "So?"

  The elevator sounded its final ding.

  "Hang on, you'll see."

  The door slid open on a massive cubicle-divided floor. The norm in the city nowadays. Rip off the ceiling and view from above and you'd have a very hard time telling the difference between this floor and a rat maze. From down here too, when you thought about it.

  Shauna marched between countless cloth-lined dividers. I trailed in her wake. Halfway down she turned left and then right and then left again.

  "Maybe I should drop bread crumbs," I said.

  Her voice was flat. "Good one."

  "Thank you, I'm here all week."

  She wasn't laughing.

  "What is this place anyway?" I asked.

  "A company called DigiCom. The agency works with them sometimes."

  "Doing what?"

  "You'll see."

  We made a final turn into a cluttered cubbyhole occupied by a young man with a long head and the slender fingers of a concert pianist.

  "This is Farrell Lynch. Farrell, this is David Beck."

  I shook the slender hand briefly. Farrell said, "Hi."

  I nodded.

  "Okay," Shauna said. "Key it up."

  Farrell Lynch swiveled his chair so that he was facing the computer. Shauna and I watched over his shoulders. He started typing with those slender fingers.

  "Keyed up," he said.

  "Run it."

  He hit the return button. The screen went black and then Humphrey Bogart appeared. He wore a fedora and a trench coat. I recognized the scene right away. The fog, the plane in the background. The finale of Casablanca.

  I looked at Shauna.

  "Wait," she said.

  The camera was on Bogie. He was telling Ingrid Bergman that she was getting on that plane with Laszlo and that the problems of three little people didn't amount to a hill of beans in this world. And then, when the camera went back to Ingrid Bergman...

  ' it wasn't Ingrid Bergman.

  I blinked. There, beneath the famed hat, gazing up at Bogie and bathed in the gray glow, was Shauna.

  "I can't go with you, Rick," the computer Shauna said dramatically, "because I'm madly in love with Ava Gardner."

  I turned to Shauna. My eyes asked the question. She nodded yes. I said it anyway.

  "You think..." I stammered. "You think I was fooled by trick photography?"

  Farrell took that one. "Digital photography," he corrected me. "Far simpler to manipulate." He spun his chair toward me. "See, computer images aren't film. They're really just pixels in files. Not unlike your word processing document. You know how easy it is to change a word processing document, right? To alter content or fonts or spacing?"

  I nodded.

  "Well, for someone with even a rudimentary understanding of digital imaging, that's how easy it is to manipulate a computer's streaming images. These aren't pictures, nor are they films or tapes. Computer video streams are simply a bunch of pixels. Anyone can manipulate them. Simply cut and paste and then you run a blend program."

  I looked at Shauna. "But she looked older in the video," I insisted. "Different."

  Shauna said, "Farrell?"

  He hit another button. Bogie returned. When they went to Ingrid Bergman this time, Shauna looked seventy years old.

  "Age progression sof
tware," Farrell explained. "It's mostly used to age missing children, but nowadays they sell a home version at any software store. I can also change any part of Shauna's image ' her hairstyle, her eye color, the size of her nose. I can make her lips thinner or thicker, give her a tattoo, whatever."

  "Thank you, Farrell," Shauna said.

  She gave him a look of dismissal a blind man could read. "Excuse me," Farrell said before making himself scarce.

  I couldn't think.

  When Farrell was out of earshot, Shauna said, "I remembered a photo shoot I did last month. One picture came out perfectly ' the sponsor loved it ' except my earring had slipped down. We brought the image over here. Farrell did a quick cut-and-paste and voil+, my earring was back in the right place."

  I shook my head.

  "Think about it, Beck. The feds think you killed Elizabeth, but they have no way to prove it. Hester explained how desperate they've become. I started thinking: Maybe they'd play mind games with you. What better mind game than sending you these emails?"

  "But kiss time...?"

  "What about it?"

  "How would they know about kiss time?"

  "I know about it. Linda knows about it. I bet Rebecca knows too, maybe Elizabeth's parents. They could have found out."

  I felt tears rush up to the surface. I tried to work my voice and managed to croak out, "It's a hoax?"

  "I don't know, Beck. I really don't. But let's be rational here. If Elizabeth was alive, where has she been for eight years? Why choose now of all times to come back from the grave ' the same time, by coincidence, that the FBI starts suspecting you of killing her? And come on, do you really believe she's still alive? I know you want to. Hell, I want to. But let's try to look at this rationally. When you really think about it, which scenario makes more sense?"

  I stumbled back and fell into a chair. My heart started crumbling. I felt the hope start to shrivel up.

  A hoax. Has this all been nothing but a hoax?

  Chapter 17

  Once he was settled inside Rebecca Schayes's studio, Larry Gandle called his wife on the cell phone. "I'll be home late," he said.

  "Don't forget to take your pill," Patty told him.

  Gandle had a mild case of diabetes, controlled through diet and a pill. No insulin.

  "I will."

  Eric Wu, still plugged into his Walkman, carefully laid down a vinyl drop cloth near the door.

  Gandle hung up the phone and snapped on a pair of latex gloves. The search was both thorough and time-consuming. Like most photographers, Rebecca Schayes saved tons of negatives. There were four metal file cabinets jammed full of them. They'd checked Rebecca Schayes's schedule. She was finishing up a shoot. She'd be back here to work the darkroom in about an hour. Not enough time.

  "You know what would help," Wu said.

  "What?"

  "Having some idea what the hell we're looking for."

  "Beck gets these cryptic emails," Gandle said. "And what does he do? For the first time in eight years, he rushes over to see his wife's oldest friend. We need to know why."

  Wu looked through him some more. "Why don't we just wait and ask her?"

  "We will, Eric."

  Wu nodded slowly and turned away.

  Gandle spotted a long metal desk in the darkroom. He tested it. Strong. The size was about right too. You could lay someone on it and tape a limb to each table leg.

  "How much duct tape did we bring?"

  "Enough," Wu said.

  "Do me a favor, then," Gandle said. "Move the drop cloth under the table."

  Half an hour until I picked up the Bat Street message.

  Shauna's demonstration had hit me like a surprise left hook. I felt groggy, and I took the full count. But a funny thing happened. I got my ass off the canvas. I stood back up and shook off the cobwebs and started circling.

  We were in my car. Shauna had insisted on coming back to the house with me. A limousine would take her back in a few hours. I know that she wanted to comfort me, but it was equally clear that she didn't want to go home yet.

  "Something I don't get," I said.

  Shauna turned to me.

  "The feds think I killed Elizabeth, right?"

  "Right."

  "So why would they send me emails pretending she's alive?"

  Shauna had no quick answer.

  "Think about it," I said. "You claim that this is some sort of elaborate plot to get me to reveal my guilt. But if I killed Elizabeth, I'd know that it was a trick."

  "It's a mind game," Shauna said.

  "But that doesn't make sense. If you want to play a mind game with me, send me emails and pretend to be ' I don't know ' someone who witnessed the murder or something."

  Shauna thought about it. "I think they're just trying to keep you off balance, Beck."

  "Yeah, but still. It doesn't add up."

  "Okay, how long until the next message comes in?"

  I checked the clock. "Twenty minutes."

  Shauna sat back in her seat. "We'll wait and see what it says."

  Eric Wu set up his laptop on the floor in a corner of Rebecca Schayes's studio.

  He checked Beck's office computer first. Still idle. The clock read a little past eight o'clock. The clinic was long closed. He switched over to the home computer. For a few seconds there was nothing. And then: "Beck just signed on," Wu said.

  Larry Gandle hurried over. "Can we get on and see the message before him?"

  "It wouldn't be a good idea."

  "Why not?"

  "If we sign in and then he tries to, it will tell him that someone is currently using that screen name."

  "He'll know he's being watched?"

  "Yes. But it doesn't matter. We're watching him in real time. The moment he reads the message, we'll see it too."

  "Okay, let me know when."

  Wu squinted at the screen. "He just brought up the Bigfoot site. It should be any second now."

  I typed in bigfoot. com and hit the return button.

  My right leg started jack hammering. It does that when I'm nervous. Shauna put her hand on my knee. My knee slowed to a stop. She took the hand off. My knee stayed still for a minute, and then it started up again. Shauna put her hand back on my knee. The cycle began again.

  Shauna was playing it cool, but I know that she kept sneaking glances at me. She was my best friend. She'd support me to the end. But only an idiot wouldn't be wondering at this juncture if my elevator was stopping at every floor. They say that insanity, like heart disease or intelligence, is hereditary. The thought had been running through my mind since I'd first seen Elizabeth on the street cam. It wasn't a comforting one.

  My father died in a car crash when I was twenty. His car toppled over an embankment. According to an eyewitness ' a truck driver from Wyoming ' my father's Buick drove straight off it. It had been a cold night. The road, while well plowed, was slick.

  Many suggested ' well, suggested in whispers anyway ' that he committed suicide. I don't believe it. Yes, he had been more withdrawn and quiet in his last few months. And yes, I often wonder if all that made him more susceptible to an accident. But suicide? No way.

  My mother, always a fragile person of seemingly gentle neuroses, reacted by slowly losing her mind. She literally shrank into herself. Linda tried to nurse her for three years, until even she agreed that Mom needed to be committed. Linda visits her all the time. I don't.

  After a few more moments, the Bigfoot home page came up. I found the user name box and typed in Bat Street.

  I hit the tab key and in the password text box I typed Teenage. I hit return.

  Nothing happened.

  "You forgot to click the Sign In icon," Shauna said.

  I looked at her. She shrugged. I clicked the icon.

  The screen went white. Then an ad for a CD store came up. The bar on

  the bottom went back and forth in a slow wave. The percentage climbed slowly. When it hit about eighteen percent, it vanished and then several seconds lat
er a message appeared.

  ERROR ' Either the user name or password you entered is not in our database.

  "Try again," Shauna said.

  I did. The same error message came up. The computer was telling me the account didn't even exist.

  What did that mean?

  I had no idea. I tried to think of a reason that the account wouldn't exist.

  I checked the time: 8:13.34 P.M.

  Kiss time.

  Could that be the answer? Could it be that the account, like the link yesterday, simply didn't exist yet? I mulled that one over. It was possible, of course, but unlikely.

  As though reading my mind, Shauna said, "Maybe we should wait until eight-fifteen."

  So I tried again at eight-fifteen. At eight-eighteen. At eight twenty.

  Nothing but the same error message.

  "The feds must have pulled the plug," Shauna said.

  I shook my head, not willing yet to give up.

  My leg started shaking again. Shauna used one hand to stop it and one hand to answer her cell phone. She started barking at someone on the other end. I checked the clock. I tried again. Nothing. Twice more. Nothing.

  It was after eight-thirty now.

  "She, uh, could be late," Shauna said.

  I frowned.

  "When you saw her yesterday," Shauna tried, "you didn't know where she was, right?"

  "Right."

  "So maybe she's in a different time zone," Shauna said. "Maybe that's why she's late."

  "A different time zone?" I frowned some more. Shauna shrugged.

  We waited another hour. Shauna, to her credit, never said I told you so. After a while she put a hand on my back and said, "Hey, I got an idea."

  I turned to her.

  "I'm going to wait in the other room," Shauna said. "I think that might help."

  "How do you figure?"

  "See, if this were a movie, this would be the part where I get all fed up by your craziness and storm out and then bingo, the message appears, you know, so only you see it and everyone still thinks you're crazy. Like on Scooby-Doo when only he and Shaggy see the ghost and no one believes them?"

  I thought about it. "Worth a try," I said.

  "Good. So why don't I go wait in the kitchen for a while? Take your time. When the message comes in, just give a little shout."

  She stood.

  "You're just humoring me, aren't you?" I said.